BAROQUE et ROCOCO.: Le monast\u00e8re de WILHERING pr\u00e8s de LINZ , AUTRICHE - Ahli Rococo Style Mirror, In the article that you read this time with the title BAROQUE et ROCOCO.: Le monast\u00e8re de WILHERING pr\u00e8s de LINZ , AUTRICHE, we have prepared this article well for you to read and take information in it. We hope this post will be useful BAROQUE et ROCOCO.: Le monast\u00e8re de WILHERING pr\u00e8s de LINZ , AUTRICHE and we write this you can understand. alright, happy reading.

Title : BAROQUE et ROCOCO.: Le monast\u00e8re de WILHERING pr\u00e8s de LINZ , AUTRICHE
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BAROQUE et ROCOCO.: Le monast\u00e8re de WILHERING pr\u00e8s de LINZ , AUTRICHE

The word rococo was first used in 1835 in France, as a comical variation of the word rocaille or a raptness of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to decorate grottoes and fountains in the past the Renaissance.[8][9] In the tardy 17th and ahead of time 18th century it became the term for a kind of decorative motif or accomplice that appeared in the tardy Style Louis XIV, in the form of a seashell interlaced once acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a collection of designs for ornaments of furniture and interior decoration. It was the first flavor in print of the term "rocaille" to allocate the style.[10] The carved or molded seashell motif was mass in the same way as palm leaves or twisting vines to beautify doorways, furniture, wall panels and further architectural elements.[11]In the 19th century, the term was used to characterize architecture or music which was excessively ornamental.[12][13] back the mid-19th century, the term has been well-liked by art historians. while there is yet some debate more or less the historical significance of the style, Rococo is now often considered as a definite mature in the progress of European art.

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