The French Rococo \u201cFrench rococo interiors have clarity, yet they are suspended, elusive

The French Rococo \u201cFrench rococo interiors have clarity, yet they are suspended, elusive - Ahli Rococo Style Mirror, In the article that you read this time with the title The French Rococo \u201cFrench rococo interiors have clarity, yet they are suspended, elusive, we have prepared this article well for you to read and take information in it. We hope this post will be useful The French Rococo \u201cFrench rococo interiors have clarity, yet they are suspended, elusive and we write this you can understand. alright, happy reading.

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The French Rococo \u201cFrench rococo interiors have clarity, yet they are suspended, elusive

The French Rococo \u201cFrench rococo interiors have clarity, yet they are suspended, elusive

The word rococo was first used in 1835 in France, as a witty variation of the word rocaille or a inclusion of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to gild grottoes and fountains past the Renaissance.[8][9] In the tardy 17th and upfront 18th century it became the term for a nice of decorative motif or belt that appeared in the late Style Louis XIV, in the form of a seashell interlaced like acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a heap of designs for ornaments of furniture and interior decoration. It was the first tune in print of the term "rocaille" to give the style.[10] The carved or molded seashell motif was sum up subsequently palm leaves or twisting vines to gild doorways, furniture, wall panels and extra architectural elements.[11]In the 19th century, the term was used to characterize architecture or music which was excessively ornamental.[12][13] back the mid-19th century, the term has been accepted by art historians. even if there is nevertheless some debate very nearly the historical significance of the style, Rococo is now often considered as a distinct grow old in the increase of European art.

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